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Xie
​Caomin
Mandala
Mandala represents a meditation meeting with mathematics. My interpretation of the Buddhist’s idea is evident throughout my recent paintings of “The Ruins’ Mandala.” Mandala first appeared in Tantric Buddhism as a form of sand painting. It embodies the Buddhist concepts of creation, maintenance, destruction, and emptiness. In my painting, Mandala is a theme, a method, and also, a noumenon. The modern ruins in Mandala are the maze of spectacle in today’s society.
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When we are confronting the stupendous creative and destructive powers of today’s technology, for me, Mandala is the greatest visual metaphor of our existence.
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